“群山万壑赴荆门,生长明妃尚有村。一去紫台连朔漠,独留青冢向黄昏。画图省识春风面,环佩空归月夜魂。千载琵琶作胡语,分明怨恨曲中论。”杜甫的《咏怀古迹其三》借咏叹昭君来寄寓诗人的同情。诗开头描绘昭君故乡的自然环境,用一个“赴”字写出丛聚在三峡一带的山岭势若奔驰的生动姿 “Everything goes to Jingmen in the mountains, and there is still a village in Mingyin. When you go to Zitai, you will stay alone until you reach the evening. You will draw a picture to save the spring breeze. Clearly resented the song.” Du Fu’s “The Three Historic Monuments” sighed the sympathy of the poet by chanting Zhaojun. The poem begins with a description of the natural environment of the hometown of Zhaojun. It uses a “going” character to describe the vividness of the mountains that clump together in the Three Gorges area.