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中国近代女性文学批评,指写作或出版于1840—1919年间女性所写的文学批评作品。其内容涉及诗、文、词、弹词、小说、戏剧等文学类型或作品;形式包括诗文选本、诗话、词话、论诗诗、题词、诗文序跋以及杂见于其他作品中的文学言论等。在文艺学、近代文学、文学批评史等相关学科领域中,近代女性文学批评尚处于缺席状态。近十数年来,清代女性文学批评研究兴起,间接为之提供了部分资料与研究成果。但囿于资料、观念等原因,近代女性文学批评研究还十分薄弱,有大量空白需要填充。近代女性文学批评的文献数量远超想象,近代实可称为女性文学批评的自觉时代,其学术价值毋庸置疑。作为一个新的研究领域,近代女性文学批评有四个基础性问题:近代女性文学批评文献的辑录与整理;近代女性文学批评的核心命题;代表性作品与作者研究;近代女性文学批评的历史地位。
Modern Chinese female literary criticism refers to literary critic works written or published by women in 1840-1919. Its contents include poetry, writing, words, storytelling, novels, dramas and other literary genres or works; forms include poetry anthologies, poetry, words, poetry, inscriptions, poems, prefaces and postscripts and other literary discourses in other works . In the field of literature and art, modern literature and history of literary criticism, modern women’s literary criticism is still absent. In the recent ten years, the research of female literary criticism in the Qing Dynasty has risen, providing some information and research results indirectly. However, due to such reasons as data and conception, the research of modern female literary criticism is still very weak and there is a large amount of blank to be filled. The number of literary criticism in modern times is far beyond the imagination. In modern times, literary criticism can be regarded as the conscious era of female literary criticism without any doubt about its academic value. As a new field of study, there are four basic problems in modern women’s literary criticism: the compiling and sorting of literary criticism in modern times; the core proposition of modern women’s literary criticism; the research of representative works and authors; the historical status of modern women’s literary criticism .