我第一次看见梦莉是一九九二年在京东一家宾馆,当时我是去拜访台湾的郑明娳教授,由于太远,张炯和我同行,没想到应声开门的不是小巧玲珑的郑教授,而是雍容大方的梦莉。当时的我还不认识她,张炯和她攀谈起来,我在一旁静心观看,心想,真不愧是海外华人女作家中的美人。以后在庐山,在北京见面,我们也就成了熟人。梦莉是位不大爱多讲话的人,然而又并不给你拒人千里的感觉。她的眼睛会说话,茸茸的双眼看着你,嘴角挂着微笑,你就会感到她似乎已和你讲了许多。此后收到梦莉两本散文,一是天津百花出版的《梦莉散文选》,一是泰国八音出版的《在月光下砌座小塔》。这时我才开始阅读她的作品。在梦莉笔下,我感到自己得到许多艺术享受,首先是语言的享受,梦莉的文字简洁、流畅,具有相当的韵味,属于中国传统艺术语 I first saw that Mengli was a guesthouse in Jingdong in 1992. At that time, I was visiting Professor Cheng Ming-tao of Taiwan. As I was too far away, Zhang Jiong and my colleagues did not expect to hear the opening of Professor Zheng, who was small and exquisite. Grace is generous and dreamy. At that time, I did not know her yet. Zhang Jiong talked to her. I watched meditatingly and thought that I really deserved to be a beauty among overseas Chinese women writers. Later in Lushan, in Beijing to meet, we also became acquaintances. Dreamy is a little bit of love and more people who speak, however, do not give you a thousand miles away feeling. Her eyes are talking, the fluffy eyes are looking at you, the mouth is hanging with a smile, and you feel that she seems to have spoken a lot with you. Since then, she has received two essays by Meng Li: one is “Mengli prose selected by Tianjin Baihua”, and the other is “Towering a Small Tower under the Moonlight” published by Thai Banyu. At this moment, I started to read her works. In the dream of pen, I feel I get a lot of artistic enjoyment, first of all, the enjoyment of language, dream Li's text is concise, fluid, with considerable charm, belongs to the Chinese traditional art language