论文部分内容阅读
吴伯超先生(1904-1949年)是20世纪中国重要的音乐家之一。早年他追随刘天华先生在北京大学音乐传习所学习二胡、琵琶,副科学习钢琴;1931—1935年留学比利时,曾入布鲁塞尔皇家音乐学院深造,具有融贯中西的音乐素养,在音乐教育、指挥、作曲等领域均有所贡献。1943—1949年初他担任重庆和南京国立音乐院院长期间,在该院的发展和培养音乐人才等方面成绩显著。值此吴伯超先生百年诞辰之际,中华民族文化促进会、中国音乐家协会、中央音乐学院等大陆以及台港地区的社会团体与院校等单位,于2004年4月5日至6日在北京联合举办了“吴伯超百年诞辰纪念活动”———召开纪念大会、学术研讨会,举办了吴伯超作品专场音乐会与图片展览;萧友梅音乐教育促进会和中央音乐学院出版社特此编辑、出版了纪念文集《吴伯超的音乐生涯》(此书以下简称为《生涯》)。但是这次纪念活动中的某些观点和提法,笔者认为是否有值得商榷之处。如《生涯》一书里的《为了不该忘却的纪念》一文中说吴伯超先生“对发展我国现代音乐文化所作的多方面可圈可点的贡献,早就随着那场海难而被大陆音乐界绝大多数人彻底忘却”;此书名为《告慰吴伯超先生》的编后记里说“几十年来,音乐文化界许许多多有良知的学人,他们敬重你,怀念你,感激你,但却只能在底?
Mr. Wu Bo Chao (1904-1949) was one of the most important Chinese musicians in the 20th century. In his early years, he followed Liu Tianhua at the Peking University Music Transfer Institute to study erhu, pipa, associate professor of piano learning; 1931-1935 study in Belgium, had entered the Royal College of Music in Brussels, with the music education, command, composer Other fields have contributed. During his tenure as president of Chongqing and Nanjing National Conservatory of Music in 1943-1949, he made remarkable achievements in the development of the academy and in training music talents. On the occasion of the centenary of Mr. Wu’s last centenary, Chinese society for the promotion of culture, the China Musicians Association, the Central Conservatory of Music and other mainland China, Taiwan and Hong Kong social organizations and institutions and other units, in April 5, 2004 to 6 in Beijing Jointly held the “Wu Baichao Centennial Birthday” - held a commemorative meeting, academic seminars, organized a special concert and picture exhibition Wu Bo Chao works; Xiao Youmei Music Education Association and the Central Conservatory of Music Press hereby hereby edit and publish a collection of memento “Wu Po-chao’s musical career” (the book hereinafter referred to as “career”). However, some ideas and references in this commemorative event do I think are debatable. Such as “career” in a book “for the memory should not be forgotten,” a text that Mr. Wu Bochao “to the development of modern music in our country made many aspects of remarkable contributions, has long been that the shipwreck was mainland music Most people in the world completely forget it. ”In the post-editor’s note of“ Comforting Mr. Wu Bo-chao, ”he said:" For decades, many music and cultural communities have conscientious scholars who value you, miss you, appreciate you, But only in the end?