近年来摄影界关于摄影本体、摄影语言、摄影原点的讨论不断,研究者在这一理论探讨中较多的使用了跨学科、跨专业的研究方法,在学术维度上对于摄影的以上概念提出了很多新的见解和看法。本文是摄影评论家藏策运用符号学、修辞学研究摄影的成果,特此刊发,希望读者关注并就“什么是摄影本体”“什么是元影像”等问题进行思考与讨论。 In recent years, the photography circles have been discussing on the aspects of photographic noumenon, photographic language and photographic origin constantly. Researchers have used interdisciplinary and interdisciplinary research methods more in this theoretical discussion, and put forward the above concepts of photography in the academic dimension A lot of new ideas and opinions. This article is the result of photographic critics using strategies of semiotics and rhetoric to study photography. It is hereby published that we hope readers will pay attention to and think about such issues as “what is photography ontology” and “what is meta-image”.