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《蒙古族风格钢琴组曲集》是我区著名作曲家李世相先生依托蒙古族民歌(短调、长调)、蒙古族音乐元素创作的钢琴作品。整部作品由10组47首小曲组成。蒙古族民歌元素的丰富运用是其中的亮点,节奏的灵活多变在每一首小曲中都得以充分的展现。本文以音乐中的节奏元素为切入点,试图以节奏语境为背景,探索、阐释蒙古族民歌的韵律如何在音乐创作中的节奏语境中延续、碰撞、融合。
“Mongolian Style Piano Suite” is a famous piece of composer Mr. Li Shixiang relying on Mongolian folk songs (short and long), Mongolian music elements of piano works. The entire work consists of 10 groups of 47 songs. The rich use of elements of Mongolian folk songs is one of the highlights, the rhythm of the flexible in every song are fully demonstrated. Based on the rhythm elements in music, this article attempts to explore and explain how the rhythm of Mongolian folk songs continues, collides and merges in the rhythm context of music creation with the rhythm context as the background.