论文部分内容阅读
本文以戏曲文学的学科视野作为研究的切入点,认为戏曲文物学是借助考古与田野调查手段所得的戏曲文物来论证研究有关戏曲起源、形成、发展、繁盛、衰弱的新兴边缘学科。并且对其研究视野的扩展、研究方法的更新、学术观念的更进等方面的原因进行了系统性的梳理分析。戏曲文物学科的不断发展,对广大学者们提出了更高的要求,戏曲史上还有很多悬而未决的问题需要借助于大量的戏曲文物的发现与研究来解决。
This article takes the field of view of opera literature as the entry point, and holds that the opera cultural relics argues that it is an emerging edge subject related to the origin, formation, development, prosperousness and weakness of opera with the aid of opera relics obtained through archaeological and field investigation. And systematically combs the reasons of the expansion of his research horizon, the updating of research methods and the advancement of academic concepts. The continuous development of opera and cultural relics poses higher requirements for the majority of scholars. There are still many outstanding issues in the history of opera that need to be solved by means of the discovery and research of a large number of opera relics.