倘若对新世纪以来中国文坛的所谓“一线作家阵容”稍作观察,可以发现赵月斌不仅无一席之地,似乎甚至难见其蛛丝马迹。比较客观的说法是这样的:赵月斌的写作从不曾大红大紫,形成热点。不过,事实也有其另一面,正如公众知名度与出镜率,在这个娱乐狂欢的大众文化时代并不代表什么,对于时下各类形形色色、招摇过市的文坛排行榜,大家不必认真。我倒是觉得, If we look at the so-called “front-line writers” in the Chinese literary world in the new century, we can find that Zhao Yubin not only has no place, it seems that even his clues can hardly be seen. More objective statement is this: Zhao Yubin’s writing never made a big deal, forming a hot spot. However, the fact also has its other side. Just as the popularity and the appearance of the public are not represented in this era of entertainment and popular culture, it is not necessary for us to be serious about all sorts of current and influential literary rankings. I’d think,