弗洛伦泰因·霍夫曼的大黄鸭项目在香港展出后引起很大反响,国内纷纷模仿、照搬它的形态,却遗落了它的公共艺术精神。本文试图从霍夫曼的创作原则与内在意义两个方面展开讨论,解释他对艺术性与公共性的把握,及其作品在社会学层面的立足点。 The Florentine Hoffman’s Rhubarb Project has aroused great repercussions after it was exhibited in Hong Kong. The country imitated and copied its form, leaving behind its public artistic spirit. This article attempts to discuss Hoffman’s creative principle and intrinsic meaning from two aspects, to explain his grasp of the artistic and public nature, and his work in the sociology level standpoint.