自石涛提出“笔墨当随时代”.三百年来,“笔墨”与“时代”的关系便牢不可分了,在不同的时空数度成为争论话题。当下它们依旧是独具中国审美特性、值得思考的问题。现在,有人认为笔墨未必随时代而变,其生命力的衰退已是客观事实,也有人认为笔墨在新时代中演变发展,成功地将旧瓶装了新酒,面貌一新。笔墨随时代究竟怎样了?其出路又在何方?由此,有必要分析一下当代笔墨的发展现状与认知情况,关注笔墨的“来”与“去”。“笔墨”的原始载体是中国传统书画,它伴随着 Since Shi Tao put forward the idea of ​​“writing as time goes by.” For three hundred years, the relationship between “pen and ink ” and “age ” has become inextricably linked. The moment they are still unique Chinese aesthetic characteristics, it is worth thinking about. Now, some people think that ink and brush may not necessarily change with the times. Its decline in vitality has been an objective reality. Some people think that ink and ink have evolved in the new era and succeeded in replacing the old bottle of new wine with a new look. It is necessary to analyze the current situation of contemporary development of ink and the cognitive situation, focusing on the ink “to ” and “to ”. “Ink ” is the original carrier of traditional Chinese painting and calligraphy, it is accompanied by