1986年,《英雄本色》的横空出世,推动了香港电影闻名遐尔的纯“男性英雄片”的创作热潮,从此成就了吴宇森香港“动作片掌门人”的重要地位。可谁能知晓,在此之前吴宇森一度被列席“次类商业导演”行列,七十年代初出道于“张彻武侠电影”之后十多年拍摄的《过客》、《帝女花》、《发钱寒》等一系列杂牌类型片,都未能树立良好的票房业绩和影坛口碑。而以另类方式演绎阳刚情义的《英雄本色》,却能顷刻间排山倒海,不仅令吴宇森“咸鱼翻身”成功跃变为银幕“暴力英雄”,而且集中凸显出人物塑造、暴力设计、枪战场面等为代言的浪漫暴力品格。之后吴宇森在《喋血双雄》、《喋血街头》、《纵横四海》等一系列港片中,都鲜明地一贯地坚持着这种独特 In 1986, the advent of “The True Essence of Heroes” turned out to be a creative craze for the pure “Heroes of Heroes”, a movie famous in Hong Kong. It has since made John Woo an important “action film leader” in Hong Kong. Who can know, prior to this John Woo was included in the “second class commercial director” ranks in the early 70s debut in “Zhang Che Wu Xia Movie” after more than 10 years of filming “passing off”, “Goddess Flower”, “send money Cold ”and a series of no-name types of films, failed to establish a good box office performance and film reputation. However, in an alternative way, the “masculine character” of masculine affection can be instantly rehearsal. Not only has John Woo succeeded in turning “salmon turning over” into a screen of “violent heroes”, but also focused on figure building, violence design and shooting scenes. For the endorsement of romantic violence character. After John Woo in a series of Hong Kong films, “Bloody Hutch”, “Bloody streets”, “universal” and so on, are consistently and consistently adhere to this unique