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五炼狱然而,整合中国画论的历程是漫长的,绘画演绎的道路也是漫长的。自一九二九年初黄宾虹进入上海美专担任国画理论教学,他参加了一拨又一拨的画展,冬天还参与发起了在上海举办的中日现代绘画展览会,同前来参加画展开幕的日本画家在上海美专存天阁进行了交流。本年他编印了《神州大观续集》二至六集、《艺观》杂志二至六期,以及众多的古代书画册,在光怪陆离的画坛上坚守着绘画理论和宣扬古代艺术的阵地。同时,他和孙濌、俞剑
However, the process of integrating Chinese painting theory is lengthy, and the road to drawing interpretation is also long. Since entering the Shanghai United States College in early 1929, Huang Binhong has been teaching traditional Chinese painting theory. He participated in a series of calligraphy and painting exhibitions. In winter, he also took part in launching the Sino-Japanese Modern Painting Exhibition in Shanghai. Japanese painters held a meeting in Shanghai Tianma studio. This year he has compiled two to six episodes of the sequel to the Grand Sequel to China, two to six issues of the Art View magazine, and numerous ancient calligraphy and painting albums, holding the theory of painting and promoting the position of ancient art in the bizarre painting circles. At the same time, he and Sun Bin, Yu Jian