非常高兴,我有幸在香港观摩到《刺秦》一剧,剧本是由香港中文大学粤剧博士生区文风策划编剧并参与编写。未来博士参加编写粤剧剧本,对我们粤剧创作队伍是很大的鼓舞,说明我们这支队伍正在不断壮大和年轻化、知识化,值得自信和骄傲。我认为《刺秦》是成功之作,是粤剧全面出新的成功尝试。今年9月,在《南国红豆》第五期上看了区文凤发表的《有情则生无情则死》一文,她对“情至观”的论述给我很深的启发,想不到她还身体力行,把理论和实践相结合,以其对粤剧的满腔热忱与忠诚,进行了勇敢的探求,编出了以人情、人性来揭示社会的新粤剧《刺秦》,为粤剧改革走出了可喜的一步。《刺》剧是写秦皇赢政晚年,在众叛亲离 I am very glad that I have the honor to watch a drama called “Ci Qin” in Hong Kong. The script was written and participated in by the writer of the Hong Kong Chinese University. The future Dr. participating in the preparation of the script of Cantonese opera is a great inspiration to our Cantonese opera writing team, which shows that our team is growing and younger, more educated, more confident and proud. I think “Ciqin” is a successful work, and it is a successful attempt to make Cantonese opera completely new. In September of this year, I read the article entitled “Feelings of Love and Death without Righteousness” published by Zu Wenfeng on the fifth issue of “Red Bean of the Southland”. She deeply inspired me on the discussion of “feeling and outlook”, and she did not expect her to exercise her strength , Combining theory with practice, with its enthusiasm and loyalty to Cantonese opera, conducted a brave search, compiled a new Cantonese opera “Ci Qin” that revealed the society with humanity and humanity, and made a gratifying move for the reform of Cantonese opera . “Thorn” drama is to write the Qin Emperor to win the later political rebellion in the public