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长期以来,粤剧人员剧团所有、属地所有的一统天下,或多或少阻碍着粤剧艺术向前发展。近年,随着国家对事业单位逐渐推行全员聘任制,人员与单位实施双向选择,这一统天下的所有制开始打破了!今期“每期一议”栏目里,刊登的就是有关这一方面的议论文章,作者从广州红豆粤剧团最近的人员聘任一事,提出了“人员流动也是促进艺术繁荣的手段之一”的主张,观点鲜明,论说有理, 值得一读。
For a long time, all the Cantonese Opera Troupe, all possession of the world dominated, more or less hinder the development of Cantonese opera art. In recent years, with the gradual introduction of a system of all-staff appointment and the bidirectional selection of personnel and units by the state, the ownership of this unified system has begun to break down. The current issue of “one issue per period” is published in the section on this topic The author, from the recent appointment of Guangzhou Hongdou Cantonese Opera Troupe, put forward the idea of “staff mobility is also one of the means to promote artistic prosperity.” His viewpoints are clear-cut and justified and worth reading.