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剧场内,后排的两个观众窃窃私语,立即,不少观众回头用目光遣责他们:舞台剧的观赏容不得看电视剧般的边看边品头论足,更因为,舞台上,新婚的瑞珏和觉新在独白、叹息,在听杜鹃的啼叫,在看月光下的梅林和湖水,在弹奏心曲,台词竟似音符般有魔力,把观众裹卷到大少爷大少奶奶的内心世界里,任何其他的声音都成了无法忍受的噪音。这样的时刻几乎贯穿了整晚的演出——上海戏剧学院表演系95级学生的毕业公演,陈明正教授导演的名剧《家》。戏剧情境的营造、冲突的展开、人物关系的纠葛,在实验性的演出层出不穷的今天,《家》施展出久违的现实主义戏剧的魅力。陈明正教授认为,对表演教学而言,“探索”和“传统”不能顾此失彼。现实主义剧目的演出更有助于学生打下坚实的
In the theater, the back of the two audience whispers, and immediately, many viewers turn their gaze with their eyes: the viewing of the stage can not watch the TV drama-like look at the head of the foot, but also because, on the stage, the wedding Rui Jue and Feeling the new monologue, sighing, listening to the cuckoo cry, watching the Merlin and the lake in the moonlight, playing the heart song, the lines seem like musical notes as magic, the audience wrapped up to the young master’s grandmother’s inner world, Any other sound has become intolerable noise. Such a moment runs through almost all night performances - the graduation performance of 95 students at the performance department of Shanghai Theater Academy and the famous “home” directed by Professor Chen Mingzheng. The creation of dramatic situations, the unfolding of conflicts and the entanglement of human relations today show the charm of the realist drama which has long been absent in an endless stream of experimental performances. Professor Chen believes that for performance teaching, “exploration” and “tradition” can not be ignored. Realistic repertoire performances are more conducive to students to lay a solid