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中国钢琴作品的旋律、韵味和风格具有浓郁的民族特色,这些特色正是通过演奏者的二度创作得以体现。如何表现中国钢琴作品中大量的装饰音,进而通过装饰音表现其民族性和中国化是演奏者和钢琴教育者共同关注的问题。作者通过多年的学习和教学,提出了钢琴演奏者需要认真把握的四个方面:理性理解、感性把握;适度模仿、关注触键;巧用装饰、服务旋律;合理用指、装饰自然。
The melody, flavor and style of Chinese piano works have rich national characteristics, which are embodied by the second creation of the performers. How to represent a large number of decorative notes in Chinese piano works and then to show their nationality and sinicization through decorative notes is a common concern for performers and piano educators. Through years of learning and teaching, the author puts forward four aspects that the pianist needs to take seriously: rational understanding, sentiment grasping; moderate imitation, focusing on the touch key; clever use of decoration, service melody; rational use of fingers to decorate nature.