画家哪有什么了得的事?要有,只有缘份。“缘份”这个词是我刚从一篇访问记中借来的,女儿问她的爸爸汪曾祺:“你还能写出《受戒》这样的小说么”?“不!”“为什么?”“要缘份!”我是俗人。好听些,是处于世俗之中的人,颇不信真有什么要人们仰面而视的艺术家。不错,人们看西斯廷天顶画时是仰着面的,但画那画儿的人是先仰着面工作的,几乎给自己造成生理残疾。去年日本人看上八公山豆腐了,淮南人为开发市场办豆腐节前来索画,安徽工作那么久,赖不了账,于是画了张《八公下山》,讲的却是我和家乡豆腐师傅的一段因缘,五十多年前的事了,有朋友把这段画跋比作归有 How can a painter get what? There is only fate. The word “fate” was borrowed from an interview. My daughter asked her father, Wang Zengqi, “Can you still write a novel such as” ordination? “” No! “” Why? “ To fate! ”I am a laity. It is nice to hear that people in secular world do not really believe that there are artists who want people to look up. It is true that when looking at the Sistine zenith, people looked to the surface, but those who painted the painting first worked face-to-face and almost caused their own physical disability. Last year the Japanese fancied Yagongshan tofu, Huainan people for the development of the market to do tofu festival to draw, Anhui work for so long, can not rely on the account, so draw Zhang “Hushan down,” but it is talking about my hometown tofu A reason for the master, something more than 50 years ago, a friend of this painting compared to copy