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在文化代群上,一了(朱明)属于“60后”艺术家,除了这一重文化身份,他还是一位结庐嵩山的禅者。一了曾在青年时代拜师禅门,修习佛法并钻研书法。20世纪90年代初期游学中原,转益多师,从事现代书法的理论与实践,不久则以其独特、鲜明的书风自成一家而鼎立书坛。2004年,一了作为书法艺术家受邀日本文部省访学,此间,他和日本著名批评家海上雅臣结为知遇师友,亲炙井上有一书道,并深受启发,创作观念水墨“囚”。通过“囚”系列
On the cultural behalf of the masses, a (Zhu Ming) belongs to “60 after ” artist, in addition to this heavy cultural identity, he is also a Zen Lu Jie Songshan. Once in his youth, he taught Zen Buddhism, practicing the Dharma and studying calligraphy. The early 90s of the 20th century travels Central Plains, transfer more teachers, engaged in the theory and practice of modern calligraphy, and soon is its unique, distinctive style of writing as one and set off the book. In 2004, as a calligraphic artist invited to the Japanese Ministry of Education to visit the province, here he and the famous Japanese critic Chen Hai Ya Chen became known as a mentor, personally familiar with a book, and inspired by the concept of ink . Through the “prisoner” series