萨特(Sartre 1905—1980)作为国外对中国最有影响的作家之一,其文学作品与哲学思想在本世纪四十年代就已开始介绍到我国。他的“自由论”、“介入”理论对我国文学的发展都产生了深远的影响,甚至对当前文学的发展仍具有深刻的反省和参考价值。但是,我国学术界只是对萨特的思想给予较多的关注,而对萨特艺术形式的创新却缺乏必要的自觉与深入的研究,如萨特创作中的共时性问题。我们认为只有理解萨特在艺术形 Sartre (1905-1980), one of the most influential writers in foreign countries to China, started to introduce his literary works and philosophical ideas to our country in the 1940s. His theory of “freedom” and “intervention” have a profound impact on the development of Chinese literature and even have profound introspection and reference value for the development of current literature. However, academic circles in our country only give more attention to Sartre’s thought. However, there is no necessary conscious and in-depth study on the Sartre artistic creation, such as the synchronicity in Sartre’s writing. We think it is only by understanding that Sartre is artistic