有位思想深刻、艺术精湛的导演说:“道具必须会说话。”乍一听来,似乎令人迷惑不解。然而,细细品味,却又觉得这话是深得其道具之“三昧”的。电影主要是写人,因此,道具的选择和运用,要为烘托、刻画艺术形象和人物感情服务。在《牧马人》里,热情风趣的郭(?)子代表七队牧民,向患难中结为夫妻的许灵均、李秀芝赠送了一个红纸包作为贺礼。这红纸包里的钱的数目可谓奇特——二十三元五角,既是单数,又有零头;按人计算只不过五角钱一份,看起来似乎微不足道。然而,在历尽精神磨难的许灵均眼里,这小小的红纸包却重如泰山。当他颤抖着双手激动地接过时,犹如捧着父老兄弟四十七颗善良的心、四十七份火热的情,止不住热泪盈眶……这小小道具由于来自生活的积累和提炼,并且运用得十分巧妙、精当,所以既洋溢着质朴的人情味,且又象一颗火种,点燃了观众的想象的火花,真可谓寓情于物之佳作! 编导一部电影,自然要调动一切艺术手法, A well-thought-out, superb art director says: “The props must talk.” At first glance, it seems puzzling. However, savoring, but feel that these words won the props of the “Samadhi”. The film is mainly written, therefore, props choice and use, to contrast, portray the artistic image and character emotional services. In “Wrangler”, the enthusiastic witness Guo (?) Represents seven teams of herdsmen and Xu Lingjun, Li Xiuzhi, married to the afflicted, presented a red paper bag as a gift. The amount of money in this red paper bag can be described as peculiar - Twenty-three yuan pentagonal, both singular, but also a fraction; calculated by the mere five cents, it seems insignificant. However, in the eyes of Xu Ling, who experienced all the hardships, this little red paper bag was like Taishan. When he shaking hands excitedly took over, as if holding the old brother forty-seven good heart, forty-seven hot love, could not stop the tears ... ... This little props from the accumulation of life and refinement, And the use of very clever, sophisticated, so not only filled with a simple human touch, but also like a fire, ignited the audience’s imagination of the sparks, really can be described as an indulgence in the good work! Guide a movie, naturally, to mobilize all the arts Technique,