“无意于文”在宋代是一个很重要的诗论命题。虽然“无意于文”在这之前也体现于诗人的创作之中,但还没有像宋代那样明确将其视为一种诗歌追求的最高境界。宋代文人总想超越唐代诗人,但唐诗已达到一种不可企及的高度。于是宋代文人就在诗歌创作上行了很多探索,他们期望在创作上达到一种“无意于文”的最高境界。有宋一代,杨万里就是典型的代表。本文主要试图考察他在诗歌创作上以“无意于文”为最高追求,从而体现出其创作态度;同时,面对“无意于文”与“有意于文”的不同创作态度,解诗者也将采取不同的阐释策略。 “Inconvenience to the article” is a very important proposition of poetry in the Song Dynasty. Although “no intention of writing” was also reflected in the creation of the poet before, it has not as clearly been regarded as the supreme realm of the pursuit of poetry as Song dynasty did. Song writers always wanted to surpass the Tang Dynasty poets, but the Tang poetry has reached an unattainable height. So the Song Dynasty literary people in the poetry creation up a lot of exploration, they expect to achieve in the creation of a “no intention of the article ” the highest level. Song generation, Yang Wanli is a typical representative. This article tries to examine his poetic creation with “no intention in the text” as the highest pursuit, which reflects its creative attitude; the same time, the face of “not intended to” and “intentional” different creation Attitude, solution poet will also take a different interpretation strategy.