谢榛是中国文学批评史上一位有独立思想且有重要影响的诗人、诗论家。他认为“浑”作为盛唐诗歌的主要特征,是一个具有内涵丰富、多层次的理论范畴。他重视浑然,认为浑然是一种诗歌由“精”而入“工”至“工而浑”的“造物”之境,是和自然之美相似,但又充满了诗人主体的能动意识的自然之境。在理论的建构上,他将“气”和“浑”联系起来,以“气”论诗和以“浑”论诗,堪为一大创举。 Xie Zhen is a poet and poetist with independent thinking and important influence in the history of Chinese literary criticism. He believes that “muddy ” as the main feature of the poetry of the prosperous Tang Dynasty, is a theoretical category with rich connotation and multi-level. He takes it as a matter of fact and considers it totally a “poetic” state of poetry from “fine” to “labor” to “labor and muddy”, which is similar to the beauty of nature but full The Poet ’s Active, Conscious Nature. In the construction of theory, he linked “Qi” with “Hun”, using “Qi” as his poem and “Hun” as his poem.