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上回说到木偶戏的发展历史,大家总算知道老孙我“受天真地秀,日精月华”可不是假的了吧。别看木偶们小小的,真要从一块毫无生气的木头变成栩栩如生的木偶,这一番功夫也不是盖的。木偶身上最为传神、也最为珍贵的,就是那颗小小的偶头,别看也就是两只眼睛、一个鼻子、一张嘴,想要“修炼”成形,说是要历经磨难终成正果实在也不过分。偶头的制作,是一门展现雕刻艺人技艺的偶像艺术,它集中体现了木偶制作技艺的水平和心血,并且也深深地附带着地域审美特征。
Speaking of the history of the development of puppet shows last time, we finally know that my grandchildren “naive show, Japan Jing-yue” is not a fake it. Do not look at the small puppets, really from a lifeless wood into a lifelike puppet, this time effort is not covered. Puppet body most vivid, but also the most precious, is that little doll, do not look that is, two eyes, a nose, a mouth, you want “practice ” shape, that is to go through the hardships until the end It is not too much. The production of the first couple is an idol art that shows the art of carving artists. It embodies the skill and level of puppet making skills and deeply implicates the aesthetic features of the region.