唐代书法空前繁荣,盛唐时期涌现出众多隶书大家,如李隆基、韩泽木、史惟则、李潮等人。本文首先对唐代隶书的发展进行了简要概述;介绍了唐隶的代表作品《大智禅师碑》及其书家;分析了《大智禅师碑》的用笔和结构,最后总结,唐代隶书并非是一般意义上的程式化、毫无生气,而是在在传统的基础上,其用笔、结字等方面都融入了唐代“尚法”的思想和唐人的审美趣味。 Tang Dynasty calligraphy unprecedented prosperity, emerged during the Tang Dynasty many of the official script, such as Li Longji, Han Zemu, but history, Li Chao et al. This article first gives a brief overview of the development of the official script in the Tang Dynasty. It introduces the representative works of Dazhi and its calligraphers. It analyzes the pen and structure of “Dazhi Master Monument.” In conclusion, the official script of the Tang Dynasty is not It is stylized in the general sense and has no life style. Instead, it incorporates the Tang Dynasty “Shang Fa ” thought and the aesthetic taste of the Tang people on the basis of tradition and in terms of writing and writing.