学琴的误区,往往是由于老师的误导带来的,我过去教学单一为培养专业音乐人才为重,后来才逐渐认识到,为培养类似袁隆平式的高素质人才打基础,也同样重要啊!现在谈谈我的认识过程,供大家研究。(一)大约是1953年,我在中央音乐学院少年班读书时,联合国正在举办世界文化名人小提琴家——科列里诞生300周年纪念活动。我很惊奇,一位小提琴家的 The misunderstanding of the piano was often brought about by the teacher’s misleadingness. In the past, I used to teach a single program to cultivate professional music talents. Later, I gradually realized that it is also important to cultivate a high-quality talent like Yuan Longping. Now talk about my understanding process, for your study. (A) Around 1953, when I was a junior in the Central Conservatory of Music, the United Nations was holding the 300th anniversary of the birth of the world cultural celebrity violinist Corrielli. I am very surprised, a violinist