《纯真博物馆》书写了一段富家子爱上灰姑娘的忧伤爱情故事。痴迷爱情、恋物癖和博物馆写作象征和隐喻了欲望、窥视、殖民与规训。芙颂作为叙事视点扩大了文化呈现的宽广度,而芙颂作为本土文化的象征则寄托了作者对土耳其文化及现代化的看法,并折射出现代化中个体与群体的离散身份维度。 The Museum of Innocence wrote a sad love story in which rich families fell in love with Cinderella. Obsessed with love, fetishism and museum writing symbolize and metaphor the desire, peep, colonization and discipline. Fu Song as a narrative point of view to expand the breadth of cultural presentation, and Fu Chung as a symbol of local culture is pinned on the author’s views on Turkish culture and modernization, and reflects the discrete identity of individuals and groups in the modern dimension.