曦儿的作品是偏抽象的类型,但也有点具体的形象在。第一个感觉是色层,颜料是一层又一层地堆叠上去的,然后又刮掉了,然后又再次堆叠。第二个感觉是其中的细线条,短促而有力,编织什么似的,在色层上游走。有的作品,就用这线条勾勒出一个或数个人形,是跳跃的那种。有的作品,会有一个或两个巨大的头形,嵌在色层中,颇为孤独。曦儿急切地寻问我的看法。讨论作品是一个考验,尤其面对创作者讨论其作品,几乎像猜谜语一样困难。某种意义上看,我们的对话就像是互相猜谜语,她出题,我回答;或者我出题,她回答。有时,作者也不一定清楚自己作品的意义。询问中才知道,为了作画,她造访过不少美院,从中央美院、清华美院到广州美院,求教过一些知名的艺术家,也和有名的理论家讨论过她所关心的艺术问题。同时,为了掌握绘画技术,了解专业状况,她更是花时间和花钱去参加一些工 Xi children’s work is the type of partial abstraction, but also a bit specific image in. The first impression is the color layer, the pigments are stacked one after another, and then scraped off, and then stacked again. The second feeling is one of the thin lines, short and powerful, what weaving, walking on the color layer. Some works, use this line to outline one or more people, is the kind of jump. Some works, there will be one or two huge head shape, embedded in the color layer, quite alone. Xi children eager to ask my opinion. Discussing a piece of work is a test, especially in the face of creators discussing its work, almost as difficult as riddling riddles. In a sense, our conversations are like guessing riddles with each other, she answers, I answer, or I post a question, she answers. Sometimes, the author does not necessarily know the meaning of his work. Inquiring, I learned that in order to draw paintings, she has visited many art institutes, from the Central Academy of Fine Arts, the Tsinghua Academy of Fine Arts to the Guangzhou Academy of Fine Arts, has consulted some well-known artists and also discussed famous art issues with her . At the same time, in order to master the painting technique and understand the professional status, she spends more time and money on some workers