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分析厦门“蔡氏漆线雕”在历史上的几次转型,以它在转型发展中的传承与时俱进的成功例子来探究一个艺术文化现象。通过这一实例来揭示民间艺术生存与发展的生命力应该是继承与创新。民间艺术只有继承与创新,才能适应社会的变化,更有效地服务于社会,同时让自己获得新的生机。只有这样,才是对于“非物质文化遗产”最好、最有效的保护和发展。
This paper analyzes several historical transitions in Xiamen “Cai’s lacquer line sculpture ” and explores a phenomenon of artistic culture based on its successful example of inheritance and development in transition. Through this example to reveal the vitality of folk art survival and development should be inheritance and innovation. Only by inheriting and innovating can folk art adapt to the changes in society, serve the society more effectively, and at the same time, get new life for itself. Only in this way is the best and most effective protection and development for the “Intangible Cultural Heritage”.