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《淮南子》与世推移,得出儒道的“无为”乐教观。在参音乐本源的考察中,《淮南子》以“道”为本,由“道”而情,进而阐扬平和恬淡之情于王者之德与人伦之治的价值意义《淮南子》是中国著述史上唯一有相关系统的情感论的著作,其中有关音乐情感论的材料异常丰富。本文从音乐情感的产生、音乐情感的表现以及音乐情感的接受与审美等几个方面阐述淮南子中的情感论音乐美学思想。
“Huainanzi” is a part of the world and has come to the conclusion that Confucianism and Taoism In the study of origin of music, “Huainanzi” regards “Tao ” as the basis and “Tao ” as love, and then expounds the value of peace and tranquility in the rule of virtue and benevolence of the king. “Huainanzi ”Is the only systematic book on sentiment in the history of Chinese writings. Among them, the material about musical sentiment is extremely rich. This essay elaborates Huai Nanzi’s sentiment theory on music aesthetics from such aspects as the generation of musical emotion, the expression of musical emotion and the acceptance and aesthetic of musical emotion.