诺瓦利斯对歌德《威廉·迈斯特的学习时代》的批评,以及他的浪漫小说《海因里希·封·奥夫特丁根》的创作,并不是直接针对歌德的;这里体现的是传统诗学思想与审美感知的对立和碰撞。作为浪漫派作家,诺瓦利斯借以反思的,是以歌德为代表的启蒙理性和古典现实主义诗学原则。他强调在无限中感悟诗的真谛,从诗学观念和创作实践上把有限与无限的关系浪漫化。他以至高无上的想象力使诗的境界充满“夜”的神奇和美妙,使梦想中的理想家园成为诗人永远感知和追求的目标,为德国浪漫派文学的发展和辉煌做出了不可磨灭的贡献。 Novalis’s criticism of Goethe’s William Meister’s Learning Age and the creation of his romantic novel Heinrich Seal Offengen do not address Goethe directly; It is the contradiction and collision between traditional poetics and aesthetic perception. As a romantic writer, Novalis to reflect on, is the Goethe enlightenment as represented by the rational and classical realism poetic principles. He emphasizes the essence of poetry in infinity, and romanticizes the limited and limitless relationship from the perspective of poetics and practice. His supreme imagination filled the realm of poetry into the magical and wonderful “night”, making the ideal home of dreams become the poet’s perpetual perception and pursuit, and made indelible contributions to the development and splendor of German romantic literature Contributions.