中国青铜器具有独特的文化内涵,是中华民族远古文明的反映。文字记载,夏代禹铸九鼎,实际上是宣告天下统一。至此,九鼎便成为权力的象征、传国的信物及见证。各类青铜器潜移默化地引导、影响着铸造者与拥有者的思想观念及生活方式,汉代画像石《泗水捞鼎》就深刻反映了这种观念。作为这一时期各类文化的集中代表及社会生产力标志的青铜器,冶炼铸造于黄河中游北岸的殷商地区,并以这里为中心向四周扩展,东至黄河下游的江准平原,西至黄河上游的八百里秦川,西南到长江上游的巴、蜀部落,南面到长江中游的湘江两岸。商代社会崇神信鬼,统治者凭借 Chinese bronze has a unique cultural connotation, is a reflection of the ancient civilization of the Chinese nation. Written records, Xia Yu Yu cast Jiuding, in fact, declared the world unification. At this point, Jiuding will become a symbol of power, the country’s token and testimony. Various types of bronze subtly guided, affecting the cast and owner ideas and ways of life, the Han Dynasty portrait stone “Surabaya fishing tripod,” a deep reflection of this concept. The bronze ware, which was the centralized representative of all cultures and the symbol of social productivity in this period, was smelted and cast in the Shang area north of the middle reaches of the Yellow River and spread around this area around the east, to the Jungeng Plain on the lower reaches of the Yellow River and to the upper reaches of the Yellow River Eight hundred miles Qinchuan, southwest to the upper reaches of the Yangtze River Pakistan, Shu tribes, south of the Yangtze River to the banks of the Xiangjiang River. Business community worship God, the ruler by virtue of