为山水画者,当以五代、北宋诸家为旨归。其间佳构,多呈磅礴恢宏、静谧超然之境界。或曰此为“无我之境”。此无我,非真无我,乃舍个人即时性之小我,得具历时性之大我也。自汉儒董仲舒为“天人合一”立论,后人多趋从之,为画者尤喜此语。 For the landscape painter, when the Five Dynasties, Northern Song dynasties for the purpose. During the good structure, mostly magnificent, quiet and detached realm. Or saying this is “no my environment ”. This non-self, non-true and non-self, but homes for personal immediacy, have a diachronic nature of me too. Since the Confucianism Dong Zhong Shu Confucianism “harmony between man and nature” argument, descendants tend to be more, especially for the artist this phrase.