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洪深的《电影术语词典》作为已知最早的关于电影专业术语解释的词典,在过往的研究中并没有引起人们足够的重视。本文重点从其编剧、导演、技巧的镜头三章出发,通过对这三个重要条目的阐释透视洪深的电影观念。从中我们可以发现洪深电影观中包含的电影剧作思维和导演思维都是以镜头为基础,而镜头并非常态意义上的镜头,它始终与场面相联系。体现的是一种以场面为基础的整体性镜头意识。
As the earliest known dictionaries on film terminology, Hong Shen’s Dictionary of Film Terminologies did not attract enough attention in the past research. This article focuses on the three chapters of its screenwriter, director, and skill, through the interpretation of these three important items perspective Hong movie concept. From which we can find that both the film play thought and the director thinking contained in the movie concept of Hong Shen are based on the lens, and the lens is not the lens in the normal sense. It is always associated with the scene. Embodies a scene-based holistic lens awareness.