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去年冬,年逾八旬的表演艺术家傅全香老师与德高望重的资深戏剧理论家赵莱静先生邀请我为傅全香老师的关门弟子,浙江省越剧团的青年演员陈艺做专场,望着两位我所敬重的老一辈艺术家,一方面深深感觉到他们对青年演员殷殷关爱之情;同时也强烈地感受到这份工作的艰巨。因为,作为傅全香老师的关门弟子陈艺,尽管拥有出色的嗓音和扮相,但由于种种原因,至今还未演过大戏,甚至连精彩出色的折子都还没有。这样的演员怎么做专场?怎么能使观众信服?所以,我只能实话实说:“我是个做戏的人,从来没有做过专场,也不太喜欢做专场,因为看了许多的专场都是
Last winter, more than 80-year-old performing artist Fu Quanxiang and highly respected senior theater theorist Zhao Laijing invited me to close the disciples Fu Quanxiang teacher, Zhejiang Yue Opera Troupe young actor Chen Yi special, looking at the two I Respected older generation of artists, on the one hand, deeply felt their affection for young actors love; also strongly felt the arduous task. Because, as Chen Fu, a close disciple of Fu Quan Xiang, despite having a good voice and appearance, for various reasons, he has not yet played a drama and has not even got a wonderful excuse. So how can the actors do special? How can make the audience convinced? So, I can only be honest: "I am a person who has never done special, do not like to do special, because many specials were read