或许是出于“失语”——据说那是世纪末中国文学评论界的一种流行病——的无奈和无力 ,我一度对于当下文学批评倍感焦虑和失望。然而 ,我的这种难于言说的困惑和悲凉 ,在读了青年评论家吴义勤的近作《文学现场》之后 ,却找到了某种解脱。其一 ,对于当下文坛的全方位的关注。作? Perhaps out of the helplessness and weakness of “aphasia,” said to be a pandemic of Chinese literary critics at the end of the century, I was once more anxious and disappointed with contemporary literary criticism. However, my unspeakable confusion and sadness have found some relief after reading the recent “Literary Scene” by young critic Wu Yiqin. First, for the current literary all-round attention. Make?