何为哀歌? 何为爱?——论汉娜·阿伦特对里尔克《杜伊诺哀歌》的诠释

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里尔克的《杜伊诺哀歌》常被视为有着丰富哲学背景的诗歌,受到许多思想家的关注。在《里尔克<杜伊诺哀歌>》一文中,汉娜·阿伦特的分析主要集中在宗教与爱上。她认为哀歌的本质是宗教的残余,哀歌是失丧本身。不仅如此,她还认为爱是人的本真存在,其中包括了背弃和超越的可能性。通过对阿伦特思想的审视,可以看出她独特的言说理路和方式,她高度赞扬里尔克的爱观,并将之视为爱的自我圣化,爱是超越的原则。 Rilke’s “Duino Belief” is often regarded as poetry with a rich philosophical background, which has attracted the attention of many thinkers. Hannah Arendt’s analysis focuses mainly on religion and love in The Lilkerel. She believes that the essence of lamentation is religious remnants, lament is the loss of itself. Not only that, she also believes that love is the true existence of people, including the possibility of abandonment and beyond. Through the examination of Arendt’s thought, she can see her unique speech theory and method. She highly praises Rilke’s love view and regards it as self-sanctification of love. Love is the principle of surpassing.
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