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2012年末,一部《少年PI的奇幻漂流》,再一次让3D电影爱好者们体验了视觉和心灵的双重漂流——深邃阔海,浩缈星空,漩流深处响起弥撒之音,绝境谕旨接踵而来。不论是水母之夜的鲸鱼出水,还是晚幕下晶莹剔透的绿色孤岛,这些美轮美奂的场景,无不依赖于3D的技术之美。也因为此,3D电影又一次站在了谈论的风口浪尖。在光影中沉默七十年的萌芽电影自诞生以来,在100年的时间内,其拍摄手法与艺术表现方式都有了长足的进步。从分镜头,蒙太奇到时空
At the end of 2012, a “drifting adolescent PI fantasy”, once again let 3D film enthusiasts experience the double drift of vision and mind - deep sea, vast sky, swirling stream sounded the sound of Mass, desperate decree One after another. Whether it is jellyfish night whale water, or the late night crystal clear green island, these beautiful scenes, all depends on the beauty of 3D technology. Because of this, 3D movies once again stood in the cusp of discussion. Since its birth, the budding film, which has been seventy years silent in light and shadow, has made great strides in its shooting techniques and artistic expression in 100 years. From the lens, montage to space-time