电影创作中的“一窝蜂”现象,是一个人们谈论已久,反感强烈的问题。但是笔者以为,对此单单给予形式上的批评,情感上的排斥,是远远不够的。有必要作进一步的探讨。 应当说,电影创作中的“一窝蜂”,并不始于今日。但为了论题的相对集中及文章的现实性和针对性,此文把时限框定在“新时期”这个特定范畴内。 众所周知,新时期的电影创作在挣脱了“四人帮”强行捆绑的绳索之后,取得了长足迅猛的发展。但几乎与之同时,电影创作中的“一窝蜂”也随即开始有所显露。象七十年代后期拍摄的《十月的风云》、《严峻的历程》、《峥嵘岁月》、《风雨里程》、《枫》、《泪痕》、《苦难的心》、《丹心谱》、《柳暗花明》 The phenomenon of “swarm” in the creation of films is a question people have been talking about for a long time and strongly disgusted. However, I think it is far from sufficient to give formal criticism and emotional exclusion to this issue. It is necessary to make further discussion. It should be said that “swarm” in the film’s creation does not start today. However, in order to focus on the topic and the reality and pertinence of the article, this article puts the time frame in the specific category of “new period”. It is well known that the movie creation in the new period has made rapid and rapid development after breaking free from the rope that the Gang of Four has been forcibly bundled up. At almost the same time, however, the “swarm” of filmmaking began to emerge. As the “Seventies of the Storm”, “harsh course”, “towering years”, “wind and rain”, “maple”, “tears”, “misery”, “Dan Xin spectrum” “Wicked”