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唐五代是乐府诗创作的重要时期,现知作者443人,乐府诗数量3428首。其创作情形及在各时段的分布,呈现出由低而高、最后回落的发展态势:中唐为繁荣期,作品量高达1194首;初、盛唐和晚唐为次繁荣期,五代为低潮期。其中存诗量30首以上的18位诗人最具代表性。此外,依据旧题乐府(1546首)和新题乐府(1263首)在不同时期的数量分布,可以勾勒出前者在初、盛唐独盛,后者在中、晚唐乃至五代蓬勃兴起的发展曲线,也可以通过表层的数量关系,发现二者与唐五代社会政治、文人创作理念、乐府曲辞流传方式和音乐变化的内在关联。
Tang and Five Dynasties is an important period of Yuefu poetry creation, now known as 443, the number of Yuefu poetry 3428 first. Its creative situation and its distribution in different periods showed a trend of development from low to high, and finally dropped back. In the prosperous period of the Middle Tang Dynasty, the volume of works reached as high as 1194. In the prosperous period of the early Tang Dynasty and the late Tang Dynasty, the five generations were low ebbs. period. Among them, the 18 poets who hold more than 30 poems are the most representative. In addition, according to the quantity distribution of the old title Yuefu (1546) and the new title Yuefu (1263) in different periods, we can sketch the development curve of the former in the early and prosperous Tang Dynasty and the latter in the middle, late Tang and even the Five Dynasties, Also through the number of surface layers, we can find the inner relationship between the two and the socio-political and literary creation of the Tang and the Five Dynasties, the way of the music of the Yuefu and the change of the music.