传统文化,对于一个具有悠久历史的国度来说,是一种巨大的话语资源和文化资本,它表现为一种传统精神,是民族文化的精神内核,是现代艺术与设计的根本出发点和精神源泉,并在外在形式上作为一种文化符号得以体现。随着现代中国社会与经济的转变,在诸多外来文化的强烈冲击下,越来越多的艺术家与设计者们开始意识到,要想使作品具有长久的生命力和丰富的表现力,必须根植于传统文化。因此,我国的民族文化意识开始走向自觉,艺术随之朝着本土文化方向发展。其中,视觉艺术由于自身的直观性与普遍性,其透露出来的传统文化给予了人们最 Traditional culture, for a country with a long history, is a huge discourse resource and cultural capital. It manifests itself as a traditional spirit, as a spiritual kernel of national culture, as a fundamental starting point and source of spiritual development for modern art and design , And embodied in the external form as a cultural symbol. With the social and economic transformation of modern China, with the strong impact of many foreign cultures, more and more artists and designers are beginning to realize that in order to make their works have long-term vitality and rich expressiveness, they must be rooted in Traditional Culture. Therefore, the consciousness of national culture in our country began to move towards consciousness, and the art followed the direction of local culture. Among them, the visual arts, because of their own intuitiveness and universality, revealed the traditional culture gave people the most