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《人生》引起的争论表明,这部影片有特点,取得了一定的成功。可是,从那些缠夹不清的争议和影片本身来看,我们不难发现,这部影片的思想内容有些模糊和混乱,编导对影片的内容缺乏总体性的把握,具有缺乏深度的开掘。高加林这个形象有着深刻的社会意义。他出身于农民之家,在大西北高原上长大,但他有文化、有理想,他的性格和他家乡农村的愚昧、落后不开化形成了深刻的矛盾,他不能够象他的父辈们一样抱着锄柄终其一生,所以,他要抛离故土,到外面去干他的事业,去追求他的理想。可以说,他是大西北高原的农民传统社会的叛逆儿。由此,新一代农村青年高加林和愚昧保守的传统农村社会的冲突构成了推动这部影片情节发展的基本矛盾,也是整个作品的思想意义之所在。
The controversy caused by “life” shows that this film has some characteristics and achieved some success. However, judging from the controversial issues and the film itself, we can easily find out that the content of the film is somewhat vague and confusing. The director lacks the overall grasp of the content of the film and lacks the depth of digging. The image of Gao Jialin has profound social significance. He was born in a farmer’s home and grew up in the Great Northwest Plateau. However, he has a culture, an ideal, his character and the ignorance and backwardness of his hometown rural areas. He can not be like his fathers Holding the hoe handle for the rest of her life, so he would leave his native land and go out to do his business to pursue his ideal. It can be said that he is a rebellious child of the traditional society of peasants in the northwestern plateau. As a result, the conflict between Gaogaolin, a young generation of rural youth, and the conservative traditional rural society, constitutes the basic contradiction in promoting the plot development of this film and also the ideological significance of the entire work.