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在“文革”后的相当长的一段时期内,启蒙显然成为笼罩整个思想文化界的“话语”背景。1980年代的文学批评中,同样显现出较为明显的启蒙特征(1)。
During the rather long period after the “Cultural Revolution,” Enlightenment clearly became the “discourse” background that enveloped the entire ideological and cultural circle. Literary criticism in the 1980s also showed a more obvious enlightenment feature (1).