论文部分内容阅读
碑派書法發展到清末民初,已歷經了發展、成熟到演變的階段。沈曾植作爲碑派的傑出代表,其碑學觀延續包世臣的碑派思想,在技法與審美上都有所發展。碑帖結合的辯證書學觀,體現在其書學實踐中是講南派的碑帖與碑派書法石刻進行對應,達到學習上的相輔相成。陸維釗的碑學觀並没有完全延續沈曾植,而是尊碑、尊唐,尊碑尊帖並舉,甚至認爲帖學水準的高低,直接决定碑學方面的深入的程度。陸維釗是繼承自包世臣、沈曾植以來碑帖互證的書學觀的集大成者。在他身上,我們看到了碑學發展的常態化。
Beizhan calligraphy development to the late Qing Dynasty, has gone through the development, maturity to the evolution stage. As an outstanding representative of BeiPei School, Shen Zengzhi continued its idea of BeiShichen’s Beitei School and developed both in technique and in aesthetics. The combination of rubbings and inscriptions book concept of dialectics, reflected in its practice of book learning is to teach the south school of rubbings and inscription calligraphy stone correspondence, to achieve the learning complement each other. Lu Wei-zhao’s concept of benevolence does not completely extend Shen Zengzhi, but respect the monument, respect the Tang, honor each other at the same post, and even think that the level of the post-school, a direct decision of the degree of in-depth study. Lu Wei Zhao is inherited from Bao Shichen, Shen Zengzhi tablet since the testimony of the book masterpiece. In him, we saw the normalization of the development of the Tablet.