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我国钱币注重“版面”设计,文字优美,具有很高的审美价值。 最先与钱文有缘的是秦代书法家李斯。秦“半两”钱上的小篆文,就是他写的。其书法古朴苍劲, 纤细而富有气韵,洒脱有力。三国鼎立时吴国“大泉五百”、“大泉当千”两种钱文,相传为书法家皇象所书,笔势沉着自然,字态丰腴,用笔干净。唐朝钱币“开元通宝”,为唐宋八大家之一的欧阳询60多岁时的手笔,劲险峭拔,力厚气深,令人称绝。宋代苏轼写了一种“元丰
Our coin focus on the “layout” design, beautiful text, with high aesthetic value. The first and Qian Wen is a calligrapher in the Qin Dynasty Lisi. Qin “half two” money on the small seal, that is, he wrote. Its simple and vigorous calligraphy, slender and full of charm, free and easy. When the Three Kingdoms came together, Wu made two kinds of money, “Big Spring Five Hundreds,” “Big Spring Thousands.” According to legend, the calligrapher Empress Elephant, gestures calm and natural, rich in character, with a pen clean. Tang Dynasty coin “Kaiyuan Tongbao”, one of the Tang and Song dynasties Ouyang inquiry more than 60-year-old handwriting, Qiaoqianbu, strength deep, impressive. Su Shi wrote a song "Yuan Feng