仫佬族“打斋”仪式音乐是该民族传统音乐的重要组成部分,本文运用民族音乐学的理论和方法,探讨其赖以生存的信仰习俗、宗教观念以及仪式与音乐的互动,剖析其音乐形态特征,以之证实它是仫佬族传统音乐的独立品种——民间宗教音乐。 Mulam and Zhaizhai are the important components of the traditional music of the nation. By using the theories and methods of ethnomusicology, this paper explores the beliefs, religions and the interaction between ritual and music, Its morphological characteristics of music confirm that it is an independent variety of traditional music of Mulam - folk religious music.