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戏曲丑行,是由周秦乐舞中的俳优、倡优,隋唐百戏中的苍鹘、参军,宋元杂剧中的副净、副末,明清传奇中的杂、三面以及王骥德《曲律·论部色》中所说的中净、小净等滑稽戏谑角色发展演变而成的一种艺术行当.它以化妆上“白粉涂鼻,以丑现美”,语言上“调笑嬉闹,滑中有稽”,表演上“风趣幽默,寓庄于谐”,性格上“乐观直爽,刚柔兼备”等艺术特色,使观众于忍俊不禁或捧腹大笑之余,得到某些醒悟,受到某些启发,并进而产生某些联想或做出某些抉择,这诚是戏曲丑行舞台表演艺术独能达到的非凡妙境,而这种妙境又往往是舍其莫属!
Opera ugly, by Zhou Qin music and dance in the gifted, advocating gifted, Sui and Tang dynasties play Cangyin, join the army, the Song and Yuan Dynasty drama in the net, vice, Ming and Qing dynasties in the miscellaneous, three and Wang Jide “music theory Color ”in the net, the net and so funny joking character development evolved into a kind of art business. It is to make-up on the“ white powder nose, ugly beauty ”, language“ tease laughing, sliding in there In the performance, ”humorous, blending Zhuang Yu harmony“, the character of ”optimistic straightforward, rigid and soft" and other artistic features, so that the audience could not help but laugh or laughter, get some awakening, subject to some inspiration, And then produce some of the associations or make some choices, this is always the opera ugly performing arts alone can achieve the extraordinary wonderland, and this is often the wonderland!