“20年后,怎么看2000年西湖国际雕塑邀请展?”这是我最近在出席伦敦“巴特西公园展(Battersea Park Exhibition)”演讲时思考的问题,那时我刚从杭州回来六周。演讲很吸引人,它回顾了艺术品、服装的变迁,艺术家声望的潮起潮落和雕塑放置方式的改变。演讲也引起了我观念上的转变,并促使我思考未来。 此次杭州雕塑展是2000年西湖国际博览会的一个组成部分,有来自国内外的55件雕塑作品参展, “After 20 years, how do you see the 2000 West Lake International Sculpture Invitation Exhibition?” This was a question that I recently considered when I was addressing the “Battersea Park Exhibition” in London, when I just returned from Hangzhou for six weeks. The speech is very attractive, it reviews the works of art, changes in clothing, the rise and fall of the artist’s reputation and the way the sculpture is placed. The speech also aroused my conceptual shift and prompted me to think about the future. The sculpture exhibition in Hangzhou is an integral part of West Lake International Exposition in 2000. There are 55 sculptures from home and abroad participating in the exhibition,