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革命的乡村固然没有正规的剧场和舞台,甚至也没有熊佛西在定县乡村所建造的那种具有“极富伸缩性”的露天剧场,但正如理查德·谢克纳所指出的:“环境戏剧是除房间界限以外的一切剧场形式。它发生于所有的空间样式中——其中某些为了某种需要而整个地改造了,某些是‘寻找’到的空间”。[1]~(P1)苏区红色戏剧的戏剧空间正是来自于革命者的“寻找”与“发现”。在紧张的革命历史情境下,革命者因地制宜,灵活地从乡村广场、街头、祠堂、庭院、堂屋、坛场、庙台、草
Although there is no formal theater and arena in the revolutionary villages, there is not even an amphitheater with “scalable” structures built in the rural areas of Dingxian County, but as Richard Shekner pointed out: “Environmental theater is all the theater form except for the boundaries of the room.It occurs in all the spatial styles - some of them are totally remodeled for some kind of need and some are the ’space to find’.” [1] ~ (P1) The theater space of the Soviet drama red theater comes from the “search” and the “discovery” of the revolutionaries. In a tense situation of revolutionary history, the revolutionaries flexibly adapted from the countryside squares, streets, shrines, courtyards, temples, mandalas, temples, grass