宋初词坛,作风渐变,由花间小令的一统天下,衍至以长调为主,气象为之一新。令词短制,一变而为铺陈摛藻的长调,使得本来只适合片段式、跳跃式的叙事的词,也能铺叙张皇。这就像画坛上本来都是些山水小品,忽然有人开始作数十尺的长卷,表现力当然大有不同。这一转变主要由二位词人完成,一是张先,一是柳永,二人中柳永的贡献更大,影响也更深远。柳永本名柳三变,字耆卿,福建崇安人,有《乐章集》。南宋文献学家、藏 Early Song Ci verse, the style of change, dominated by the order of small flowers, extended to the main long-term, weather is a new one. Order of the short system, a change in the long-term play for the development of Zan algae, so that would have only suitable for the fragment, leaping narrative words, but also to describe Zhang Huang. This is like the painting altar has always been some landscape pieces, suddenly began to make dozens of long scroll, of course, very different performance. This change is mainly accomplished by two writers, one is Zhang Xian, the other is Liu Yong, and the two have a greater contribution and influence. Liu Yong, the original name willow change, the word Qing Qi, Fujian Chong An, a “movement chapter set.” Southern Song biographer, possession