进入新时期以来,在秦腔广为流行的西北各省（区）城乡,观（听）众经常会听到令人陶醉的整本（折）戏或戏曲唱段。这其中,有一种既富纯朴古色,又透时代新意的“新易俗风格”,可谓独具韵味,十分令人迷恋。它通过秦腔传统剧《三回头》、《藏舟》、《庚娘杀仇》;秦腔现代剧《西安事变》、《白龙口》、《于无声处》;秦腔新编历史剧《洗夫人》、《女魂》、《空海在长安》等大小剧目反复演出、播放,将诱人的音符传进千千万万秦腔爱好者的耳朵,刻留在他们的脑海之中。人们也许在领略“新易俗风格”的无穷魁力时,都会津津乐道那些他们崇拜的表演艺术家和著名演员,如肖若兰、张咏华、郭葆华、刘棣华、尹良俗、张忠义、张保玮、王荣华、李淑芳……等等,这诚然无可厚非。然而切莫忘记:还有一批从事音乐 Since entering the new era, viewers and listeners often hear the intoxicating whole book or opera performance in the most populous provinces and autonomous regions in northwest China. Among these, there is a “new vulgar style” that is rich in simple and ancient colors and also permeates the new ideas of the time. It is a unique charm that is very infatuating. It is through the traditional opera “three back”, “possession of the boat”, “Gengniang kill revenge”; Shaanxi modern drama “Xi’an Incident”, “Bailongkou”, “at the silent office” “Female Soul”, “empty sea in Chang’an” and other large and small plays repeatedly show, play, the seductive notes pass thousands of Qin ear lovers, engraved in their mind. People may relish when they enjoy the endless charm of “New Folk Custom Style”, such as Xiao Ruolan, Zhang Yonghua, Guo Baohua, Liu Dihua, Yin Liangsuo, Zhang Zhongyi, Zhang Bao Wei, Wang Ronghua, Li Shufang ... ... And so on, which is understandable. However, do not forget: there are a number engaged in music